SARAH 1 set the pattern for the first ten 7″ labels: on one side a photo of Bristol reduced to b/w by repeated re-photocopying (these days, you’d just use Photoshop’s “threshold” filter), on the other a 2-colour flower. Sadly, no one told us this would mean printing each side separately and using two Pantone spot colours, for which there was a £90 setting-up charge on each pressing; printing the labels often cost more than recording the songs. (The photo here is of Sea Mills.)