We took out half-page adverts in NME and Melody Maker to announce SARAH 100 and the end of Sarah. It was also the first time we’d used the Clifton Suspension Bridge, Bristol’s most famous landmark, on artwork. Given the price of half-page ads, you’d think it would have stopped people saying we’d gone bust… sadly, it didn’t. Clare was nineteen when we started Sarah, in case you’re wondering.